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Showing posts with label crisis. Show all posts
Showing posts with label crisis. Show all posts

Crisis Core: Final Fantasy VII review

I am an unabashed fan of Final Fantasy. I haven’t played all of them – but I’ve played and beaten quite a few of them over the years – starting with Final Fantasy on the old NES. I was one of the many who had a first day of release copy of Final Fantasy VII and like many thought it was the best game I had ever played at the time. Years later, it’s story and game mechanics are among my most fond gaming memories. So when I heard that a prequel was coming out, I was really excited. That excitement was a bit tempered however when I saw my traditional RPG turn-based systems turned into a more live action game during trailers. I’m happy to say those particular fears proved to be unfounded.

Graphics – 9:

The in-game engine is good, you don’t suffer any breakup and the full motion video scenes that the Final Fantasy series have become well-known for hold up beautifully on the small screen. Don’t let the fact that this is a PSP game fool you – it holds up very nicely in both artistic direction and execution.



Sound and Music – 8.5:

The voice acting was good, though many of the sounds were a bit repetitive after awhile. Final Fantasy games are known for their quality music and this one while not among the best from the series, is still pretty good. I found the combat theme to be surprisingly catchy.



Gameplay – 7:

Sometimes deaths feel cheap. The actual action-oriented combat works well; certainly better than I expected. My biggest complaint from this department though was the camera. Sometimes I just could not get it into a good position, especially in narrow spaces. Also, the combat was a bit predictable in terms of how it was triggered. In earlier games, most combat occurred at random while walking. In later Final Fantasy games you are on an active field with enemies you can engage or try to avoid. Here? It’s things like intersecting hallways that trigger the usually-random group of monsters you fight. You find yourself hugging the walls awkwardly, battling the camera angles if you’re in an area where you don’t want to fight. It’s not all bad though. The action comes in perfectly sized smaller chunks that fit with the handheld platform. I had played this game for nearly a year on and off. I’d just pick it up some days when I had fifteen minutes to kill and do a few missions. The PSP is not one of my primary systems, so its games tend to get neglected, but this one’s content felt just right for on-the-go gaming.



Intangibles – 9.5:

There is a ton to do. The main storyline itself is not terribly long, but there are a bunch of side options to chew up your time. There’s missions that unlock over time or when certain criteria are met. There’s a fusion system in place that lets you upgrade items and materia (think of them as magic, skills and stat boosts). You get emails throughout the game from characters as well. There’s a handful of mini-games tucked in there as well throughout the storyline. To top it all off? There’s a New Game+ mode as well – always a favorite discovery of mine.



Overall – 8.5:

To date this was probably my favorite PSP game. The characters and world were sentimental favorites of mine. The overall production values were high. All of this was expected. The unexpected? That the action-based combat would work so well. That using one character throughout the game instead of a party would feel so involving. That you don’t collect experience and level up in traditional fashion, but that levels, boosts and special attacks are all managed through a perpetually running slot-machine like system that augments the action itself. Last but not least? The ending is fantastic. After I beat the game, I was just really taken with the ending and did some searching on the topic online. I was not alone in my sentiments there. A lot of people out there list it as their favorite ending ever. Mine? Maybe not, but probably top 10 to date, and getting there was a blast.



Video courtesy of IGN
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