To be frank: this is what you hope to see in an annually released game. More features and improvements across the board combine to make it better than ever. WWE 2K25 is exactly that – bigger and better than ever.
The year was 1996 when I first heard about Tomb Raider. I didn't have a Playstation, nor was I any sort of adept at using those controllers. However I did enjoy watching my friend play them on his PS...
Microtopia is a neat game where players grow a new kind of colony, the kind that is run by robotic ants. Now if an automation game where you get to control robotic ants isn't an interesting one, you've been living under a rock.
Welcome everybody to the demon world! A world where might makes right, violence abounds, and two demon maids are looking to avenge their Lord in a metroidvania style quest across the land.
Keen Software House (Keen) has recently launched Space Engineers 2 (SE2) into early access with a polished communication campaign featuring YouTube influencer previews, snappy teasers and a road map using the ‘vertical slice’ concept to show the intended path between initial early access availability and final release.
I've got a good one for ya! An awkward teen, an amnesiac kid, a grumpy Lolita, a bratty child (not really), a hacker, an oblivious employee and an AI walk into an underwater bio-dome---
ZPF is a new shoot-'em-up game that looks, sounds and plays like a Sega Genesis game. The demo I played was short with three levels and three different heroes (ships) each with their own play style.
If there's one series that keeps me excited for every new release, it's Gust's Atelier series. As much as things change over the years, the core staple of the series remains the same. It's about alchemy...
Set in the Bakumatsu-era in Japan, Rise of the Ronin follows the path of a Veiled Edge, a unique paired swordsmen's technique where you play one half of a pair of sword-slinging ronin called Blade Twins.
Just as things were about to wind down for the year, something hit my desk allowing me to end what’s been a horrible year all around on a high note reviewing wise as many of us head back into various states of lockdown for the holidays. Developed by Douze Dixièmes and published by Focus Home Interactive, Shady Part of Me is an emotional tale that I found myself easily relating to as you explore the world with two sides of a person both through the light and the darkness where one cannot move forward without the other.
It would be easy enough to say that Shady Part of Me is a great puzzle platformer and then leave it at that. Graphically, you have two separate presentations starting with a 2D shadow-like platformer which is then mixed into 3D environments that act as their own puzzles. Keeping things interesting, what is done in one affects the other. Mechanically, everything is responsive and instead of lives or health, if you make a mistake, if you fail, you can simply rewind until you get it right. On top of both of these aspects there's an incredible music score that only amplified the emotions being conveyed by the scenery and the narrative. Like I said, I would be easy but it would also be a disservice.
More than the sum of its parts, Shady Part of Me walks a fine line between gameplay and presentation. Clocking in around four to six hours for a full gamerscore or platinum trophy depending on your system, this is one experience where you'll find yourself heading out of your way at times for the collectibles which are origami birds within both the realms of light and shadows. Other than making murals as you uncover the pieces, these birds will often prompt additional dialog from a third party causing reactions in your protagonists or simply giving you a potential to additional context based off of your own conclusions.
Having found this blend of gameplay, Douze Dixièmes have found an almost perfect marriage of gameplay to cater to both those that play through something and move on, and those that will search every nook and cranny to find that one last collectible. I’m generally not one for going back and looking for everything, but when it adds in more context and is more than just there for the purpose of trophies / bragging rights, I am more than willing to put the time in.
On that subject, the time that I did put into Shady Part of Me is time that will stay with me for a good deal of time. Yes it was fun, yes it was atmospherically pleasing with the various musical scores that meshed perfectly with the backgrounds, but it’s the “why” that really stood out. Mental Health, Anxiety, Stress, Panic Attacks, feeling like the world is watching and that weight is crushing you, and just simply not knowing how to deal with everything because life that day, week, year, decided to deal you a bad hand. Read that again, and don’t take a pause, run out of breath, and that’s just the tip of the iceberg. Not everyone will go through this, a lot of people will never understand this and in a way I hope they don’t, but those that have, those that still do, know what I mean and know that it’s hard to put into words.
So it’s through this adventure, that I finally saw a representation of what it’s like to go through these moments that I’ve never been good at putting into words. I’ve been through it, I’ve been dealt a bad hand years ago and I still have my moments. I know it’s anything but easy and asking for help is even harder as no one likes to admit they need it especially with the stigma that comes with admitting it. So it’s through these challenges and through this fictional world where fantasy meets reality that these two souls need to rely on one another to reach the exit that they’ve been searching for, and through their conversations that I finally saw it put into words. The words of the rational mind trying to reach the irrational feeling that just won’t leave and sometimes crash into the rational like a tidal wave making you feel like you're drowning.
All of this said, it’s how these emotions are meshed in with the musical scores in the background, it’s how these feelings are meshed into the scenery, and finally it’s how these feelings are conveyed as a challenge to overcome as continuously taking steps forward that make it work. No, it’s not that easy as taking a step forward, many days are steps backwards, but, if you were to condense the process, this is what the start of healing looks like.
On a final note, Shady Part of Me should have been on my Game of the Year list but with how late it was released, it sadly won’t be making it as I quite literally got to experience this tale this past weekend. It’s not a very long adventure, but it packs a punch both from the visuals and the musical score, to the emotions coming through both of your protagonists as they try to find the exit that they’ve been searching for together.
Empire of Sin is a turn-based game similar to XCOM but is set in the 1920's when prohibition was a thing. Player's move to the city of Chicago in search of creating a new empire by building brothels, speakeasies, and casinos. The characters you can play and encounter are exciting and unique, making the game intriguing. However, Empire of Sin released with several issues and launched too early. Let's dive into the details.
Gameplay
Since I was given the option, I played the big dog himself. The legendary Al Capone, though he is only one option out of about fourteen. He's the most notorious mobster in history. I figured, why not? After choosing Capone, I entered a cutscene where I'm entering Chicago. This is how the story begins. First, we have to hire a couple of people.
The tutorial of the game introduces players to all aspects of Empire of Sin. It has character skill trees, business management, and turn-based combat. But if you think that is all you have to deal with, you'd be wrong. Players also have to pay attention to the rival mobsters and their relationships with others. They're also tasked with procuring money through various means. It doesn't take long before the deals you make will drastically hinder your survival rate. I know this because during my first playthrough, I allied with two rivaling mobsters. As a result, I was attacked by one of the most powerful people in the city. But, if you play your cards right, your playthrough won't murder your hopes and dreams quite that quickly.
That said, I really enjoyed the depth of the characters' witty and unique personalities. Empire management is quite detailed and consumes a chunk of gameplay time. Players can upgrade their security and aesthetics, change their alcohol type, and research rival mobsters. There were large blocks of time devoted to upgrading buildings and strategizing my next move.
Combat
The meat and potatoes of Empire of Sin is the combat, but it's also the least appealing aspect of the game. Not only are buildings lackluster because the layouts are generic, but your squad will stand in tactically disadvantaged locations. Furthermore, the crew formation can't be changed, even if you ambush a building.
My dreams of ransacking buildings strategically were repeatedly sidelined as bosses initiated sitdowns and began fights. Your buildings have a small number of guards to defend while you are out and about. Unfortunately, you have to control those fights instead of focusing on having money to increase your empire. Very few aspects are automated in the Empire of Sin. On top of that, it felt like the combat was too frequent and gameplay was too slow, forcing players to have little cash. In fact, there is no change in movement speed, no dialogue skip option (ever), and no downtime to handle your affairs.
In the failed playthrough, I had barely made it out of the tutorial before the Donovans went to war with me. On the streets, my security team was outnumbered and at my safehouse, I died to fourteen gang members! Let us not forget that these fights often drew the attention of close-by police officers. In short, the difficulty of the game ramps up quickly in some playthroughs.
Graphics and UI
The graphics in Empire of Sin are fantastic. The ambiance created by the music and the theme helps to make for a realistic atmosphere of the 1920s. The city is dynamic, filled with characters that react to everything around them. Characters on the street will step to the side when they are on the same path as another and they will duck for cover when a gunfight breaks out. The downside to this aspect is during combat where those characters take up advantageous positions.
The buildings themselves will reflect what services it provides. Speakeasies are bars, casinos are gambling establishments, and brothels are adult entertainment locations. But they are all fairly generic in terms of combat. The brewery before it is taken over is rundown, with fading exposed brick and kegs strew about. Because basic template layout for each building, even with the seemingly random locations of the barrels, combat becomes predictable.
However, while I do like the aesthetics in this game, Empire of Sin has graphical and UI issues. For one thing, there are times where characters stand inside an asset. When they move locations, the asset often remains. Another issue I have is the game's inability to recognize mouse clicks. This meant that my crew would move until obstructed and then get stuck there. Sometimes movement would be negated by the autosaving feature, which caused unnecessary street fights. Thirdly, the UI is complex. Finding the screen to change alcohol types seemed to be difficult to find. There are so many windows to go through that it makes gameplay cumbersome.
Empire of Sin is beautiful but it has some bugs to iron out, as well as other elements that I discussed above.
Audio and Music
One of my favorite elements of the Empire of Sin is the audio. First, the voice acting for each mobster is well done. I even appreciated the little comments like 'asshole' as characters moved into position during combat. Mobsters were voiced appropriately without too much emphasis on stereotypes. The Irish man was not constantly drinking alcohol and the Hispanic woman wasn't dropping random Spanish words in half of the dialogue. In short, the accent of the characters told more about the people than familiar dialogue phrases.
Secondly, the music in Empire of Sin is brilliant. I absolutely adored the classical feel and sound. The music is upbeat and exciting. It brought joy to my heart in a way that modern-day music fails to accomplish. (Despite my listening to a wide range of music.) In fact, when upgrading the aesthetics of a specific racket, a band will appear on a small stage. It's little details like this that catch my attention, on top of the cheerful swing music.
Pros and Cons of Empire of Sin
Pro
Empire of Sin keeps players on their toes since your Speakeasies, Breweries, and Brothels are regularly attacked or sabotage.
There are lots of things to do like choosing talents, upgrading weapons, and managing your empire.
Some of the dialogue of the other mob bosses are highly entertaining. It was my favorite part of the game.
Excellent 1920's soundtrack and aesthetics.
Con
The graphics are glitchy at times. Sometimes in combat, players will stand in assets.
Even though I played through the tutorial on another computer, Steam Cloud did not think so. I ended up doing the tutorial twice on account of that.
The third run-through occurred because I saved my game and when I loaded it the following day it crashed, killing my save file.
There is no skip through dialogue when you've had to reload the game.
Empire of Sin does not have multiple speeds. Every action is done in real-time.
The answers players can give are largely the same. We could use some variety.
Pedestrians and Bystandards often duck for cover when a firefight breaks out and as such, they take up the square.
No variety in maps, which makes gameplay very predictable and easy.
Sometimes I would be notified of changing preferred alcohol types multiple times.
One or two of my save files would appear in the list but didn't contain data.
Final Thoughts
Empire of Sin is a fun and lowkey turn-based tactics game that I really enjoyed, but unfortunately, there were just too many issues that grated on my nerves. Some of those issues were graphical, some were notification issues, and others stemmed from bad or corrupted save files. If the developers let the alcohol ferment longer, Empire of Sin might have been a boss of a title. Sadly, it feels like wine that isn't quite ready to be sold. And while the empire management and character leveling gave me an immersive experience, there was just too much packed into Empire of Sin. It's almost like the developers bit off more than they could chew.
Despite the game issues, I had a fun time managing my empire, making deals with other bosses, and laughing at the discourse between people. Sure, the combat was weird at times, but it's not really difficult. And even though I played Empire of Sin for a decent amount of time, I can't in good conscience rate it very high. It needs some more time to hammer out the bugs and give players a few more options - or breathing room. Overall, I give this title a 7 out of 10.
Per Aspera is a management simulation that reminds me of Surviving
Mars in a lot of ways. It is rather engaging through self-reflection
and regular engagement with other characters. The longer I played,
the more I wanted to find out more. And like most games published by
Raw Fury, I genuinely enjoy this title.
Gameplay
You play an AMI who is tasked with a mission to terraform Mars by the
ISA. The objective is to prepare the planet for human colonization
but you learn that this has been tried before.
Players must first build a few structures before the planet is
habitable enough to sustain human life. The first of these tasks is
to raise the planet's core temperature to -50 degrees or higher.
Successfully accomplishing this task will melt ice caps that will
create pools of water. Like any game that terraforms planets to suit
human survival, it isn't without consequence.
As players unlock more buildings and upgrades through the tech tree,
they will be able to progress the story. In Per Aspera, players will
receive communications from Nathan Foster and Dr. Elya Valentine.
These characters will call you at regular intervals to give status
reports or valuable insight about your mission. As time progresses,
an anomaly disrupts your power grid. This is when players discover
that they are not alone. I lost several buildings from a couple of
attack waves because I wasn't prepared for the assault. (Whoops!)
That said, the combat is an afterthought. Don't expect a Civilization
battle style.
Yeah. Needless to say, I'm invested in Per Aspera.
Per
Aspera Graphics and UI
For a colony management game, I'm surprised at how clean Per Aspera
looks. Right from the beginning of the game, players can see what
resources are available to them. The resource bar expands after new
technology is researched. At a glance, players can see all of the
information they need about their colony without looking through
menus. Though I do wish the information was displayed separately if
there are multiple unconnected grids.
Of course, no colony management game is complete without nifty
information screens. Per Aspera displays vital information through a
couple of different overlays. Players are able to click on one of the
F keys (or buttons at the top) to display information about the
traffic, electricity, or maintenance levels of the colony.
I also really liked the orbital view for a couple of reasons. The
first is that players can still see their colony information because
it doesn't disappear. The second part that I like is just the ability
to see sectors clearly. From the orbital view, players are also able
to see incoming or outgoing shuttles filled with colonists.
Overall, I like the sleek design in the graphics regardless of if
they are on the planet or in orbit. It is designed with
user-friendliness in mind. Not only that but it manages to feel like
a science-fiction world in its simplicity.
Voice
Acting and Audio
I was surprised to learn of the voice acting talent in Per Aspera.
Most people know Troy Baker but, for those who don't know his work,
check out this
link. Of his massive list of credits is Joel from The
Last of Us Part II and Bruce Banner in Marvel's Avengers. In Per
Aspera, he is Nathan Foster, the main liaison between Mars and Earth.
There are other notable names like Laila
Berzins who voices AMI, the A.I. that you play. She
also voices Xiao of Genshin Impact as well as Demeter / Persephone in
Hades.
Phil LaMarr is a legendary voice actor known for his work on Mad TV,
Harley Quinn, Rick and Morty, and Futurama. His portfolio of works
can be found
here. He plays Lieutenant Calderon, the ISA's Chief
Technologist.
The biggest shock for me was YongYea, a YouTube
content creator that covers gaming news, reviews, and discussions.
While many know him through YouTube with 1.5 million subscribers or
his 100k followers on Twitter,
he has a fledgling list of acting
credits. In Per Aspera, YongYea voices the character
Nian Zhen, a wealthy businessman. Among his other credits
are Loki in Rune II and Ven in Warframe: Proteus.
Lynsey Murrell is an actress with a couple of voice
acting credits. She plays Dr. Elya Valentine, the
first colonist leader, with whom you frequently interact. Lynsey also
plays roles in Undergods but according to this Steam
page, she will be voicing a character in the upcoming
Baldur's Gate!
Nneka Okoye voices Sonna Valentine, the daughter of Dr. Elya
Valentine. Neeka is known for multiple roles in TV series like The A
List and Defending the Guilty. She has recently voiced a couple of
characters in the game Beyond a Steel Sky.
Pros
and Cons
Pros
Per Aspera is good at engaging players with AMI's self-reflection
dialogue and regular communications with other characters.
The tutorial
doesn't barrage players with too much. It releases buildings
gradually for players to use.
The foreign
creatures attacking create a good sense of urgency for the overall
mission.
Cons
There is no display to show separate landing sites.
Sometimes
gameplay is a bit sluggish when in the mid-game.
Upgrading
individual connections between buildings is cumbersome. We don't
need *that* much micromanagement.
I personally
disliked using the orbital view to assign a task to a spaceport.
I would love
to start with more than one drone. The beginning took a while.
Final
Thoughts
Per Aspera is a fantastically designed game and I loved everything
from the graphics to the music to the overlays. While the gameplay
sometimes felt sluggish (even at 8 times speed), there's a sense of
urgency. I found myself blissfully unaware of the passage of time.
Because of the intriguing story, smooth graphics, and masterful voice
acting, Per Aspera is leagues ahead of other games in this genre.
It's not without its flaws, but in my opinion, this game is worth the
price.
Overall, I really love Per Aspera. It is a fantastic game that keeps
players on their toes. Unlike other colony builders, players feel a
connection to the colonists and to the mission. It is a spectacular
game like no other and I absolutely adore it. Per Aspera has amazing
audio and voice acting that are well suited to the title and I can't
get enough of it! For me, there are some minor UI issues, but I give
Per Aspera a 9 out of 10. Do yourselves a favor and buy it now. Take
out the weird aliens. The mission depends on it!
StartUp Panic is a simulation game that lets players launch a tech
business. Our character quits their crappy job, to embark on their
entrepreneurship journey. But this is only the beginning.
My character begins her journey from her home computer. I decided to
take on odd jobs so that I had a financial buffer. Once I started my
business, I fell quickly in love with StartUp Panic, because of its
nods to the beginning of the tech boom. I'm talking about a familiar
and trusty paperclip - our helper in Microsoft Word. 'Clippy' would
explain how to use different features as it recognized input
patterns. While many may have blissfully forgotten about 'Clippy'
from Office 97, I appreciated this addition.
Some players might have stopped there, having remembered the early
days of computing before Microsoft employed malware-like practices in
the launch of Windows 10 - but I digress. The memories of Clippy and
the simpler times made me appreciate StartUp Panic.
StartUp
Panic Gameplay
StartUp Panic is an indie management simulator that amused me. My
amusement stems from the subtle nods to things I grew up with. I
absolutely adore this title even though I find it boring over time -
which in no way speaks to the overall score. But, I can only handle
so much of a management game before I am bored.
The game has a couple of levels of strategies that players need to
pay attention to. At the outset, it is important to work on odd jobs
to make money. These vary in difficulty as you hire more employees
and allow for players to turn a profit even if your company is in the
red for a time.
An important aspect to pay attention to is the rating your company
has in each of the features developed. So, if your rating in the tech
tree is less than 6 points, then you’re company is spending more
money on maintenance than it is bringing in. For players to make a
profit each month, they will need to make sure each feature is
profitable. Sometimes this means hiring or training more people with
higher skills to do a post-mortem on their features.
Another big thing that players need to be mindful of is the
international standing of their application. On the top left of the
screen is a globe that players can click on which allows players to
conduct market research. Important information about demographics,
preferred marketing methods, and total population will be displayed
here. Having this information is key to your marketing strategy,
which is crucial to pleasing your investors! Another useful benefit
is that it also displays the market share of your competitors. When
you beat out the first competitor, Johan Allberg, you will have a
bigger fish to fry.
StartUp
Panic List for Success
Take on odd jobs to keep a positive financial balance
Market your
product in other countries
Make deals with
investors and stay out of debt
Advance your
services in the tech tree
Manage
character salaries and stress levels
Manage employee
vacation time and train them
Upgrade the
office with shinies!
Buy traits to
cut costs and provide extra perks
Don't get
kidnapped!
When a player takes on new contracts for cash or when they are
developing new features on their app, a popup will present itself. On
this popup will be three bars that represent Technology, Usability,
and Aesthetics. The employees you assign to a job should have high
enough stats to fulfill the requirements of the task. For example,
using an employee with a high score in technology will not be useful
to a t-shirt design job. When players are working on their own app,
they will have to be mindful of what stats are most beneficial to the
task. Regardless of the total stats, the sliding bars have to equal
100%. This does not change despite the number of workers nor the stat
level. Those two aspects will help the overall success rate of the
task but don’t change the difficulty level for the player.
Graphics
and UI
StartUp Panic is an indie game that is well done. It has a realistic
feel without too much focus on graphical fidelity. If I were to scale
StartUp Panic like we do in-game, I’d devote 45% Technology, 35%
Usability, and 20% to Aesthetics.
Players must use all the icons to gather information and graphs about
their company and its rivals. There is a tech tree, a trait tree, and
a decent amount of micro-management. One of the useful elements in
StartUp Panic is the international map. So long as players have a
rough idea of the population size and country location, they can aim
their marketing to those areas. And because information and options
are placed under menus, the UI is minimalistic. If players want to
access the vacation option, they have to click the employee menu,
then the employee list. In my opinion, it would be easier to have a
popup on the individual characters
Algorocks cleverly placed several nods in StartUp panic from the
Windows 95 era right up to the present day. I like some of the
graphical choices in StartUp Panic like the cat that sporadically
pops out of the filing cabinet or the computers that display images.
Sometimes the computer will look similar to Adobe Photoshop and one
is the old blue screen of death! It’s little details like these
that I genuinely enjoy about this title.
Final
Thoughts
StartUp Panic had me smiling from ear to ear for multiple reasons.
Apart from the nods to the old version of Windows and the references
to Clippy going on a date with ‘Seri’, I found another reason to
be happy about this title. Early on players are introduced to a
musician named AIYU. I was ecstatic at the reference of a real
Japanese star in StartUp Panic. I have no idea if this was a
deliberate choice but AYU, the shortened name for Ayumi Hamasaki, is
a famous Jpop artist. She has released 17 studio albums, several live
albums, and over twenty remix albums. This addition definitely
increased my enjoyment of StartUp Panic. I was invested in this title
- playing it longer than I would normally devote to a management
simulator.
StartUp Panic certainly has its charm, but I personally found myself
bored over time. Once you know the system of the game, it isn’t too
difficult to keep yourself in the green. I would love to have had
rejected investors cause more problems (depending on their status /
position) or something a little more challenging. As such, I give
StartUp Panic an 8 out of 10. It has a lot of merits and plenty of
fun for a few hours, but there isn’t a ton of challenge or
replayability, in my opinion. Its predictability became a bit of a
hindrance even though it's a fantastic game.
Swords of Gargantua is one of those games I was holding out a lot of
hope for, because if there’s a single activity in VR that I get
excited about – it’s anything to do with swords. I’m a big fan
of fantasy, so I’ll take a sword over a gun in gaming almost every
time. It is one of those experiences that has a ton of potential in
VR, but the premise still needs to be executed on well and put into
an engaging game. Swords of Gargantua manages to get parts of this
right, but the whole just never really came together for me.
Things kick off rather well, with a rather lengthy narrative
introduction. The story that is teased had potential, as it details a
god-like arena putting you against a variety of different creatures.
There is some excellent imagery in the beginning, but most of it
dissipates once you actually start to play. The story never really
goes anywhere from there, and instead you’re left in what amounts
to an arena / horde / wave game where you take on numerous enemies
without really looping back to that initial teased narrative.
The actual gameplay mostly sees you walking around a large arena,
engaging in enemies as they appear to challenge you. The idea of
blocking, swinging – all of this plays into the game’s visuals
and surprisingly solid control scheme. The weapons at times seem a
bit floaty, but honestly this is not meant to be an authentic sword
fighting simulation as it has several elements such as powering up
your weapon over time and temporarily boost it. The tracking however,
was sometimes literally hit and miss for me. There were times I
clearly felt like there should have been a collision of weapons /
shield / body that did not occur.
Thankfully this was more the exception than the rule, but it was
sometimes frustration when it happened. It should also be noted that
you need a decent bit of room to play as well as you will be swinging
your arms about. One nice design choice by the devs that I want to
call out is the way they dim / blacken the edges of the screen when
you’re moving. It helps to reduce the potential for motion
sickness, which is not something I normally get – but you can turn
that option off and I did to try it out. I found myself not
necessarily nauseous – but it was more comfortable leaving it on,
at least for myself.
There is a decent variety of enemies, some of which are more
interesting and challenging to engage with than others, but they do
help to keep combat somewhat fresh. During stages, there are
basically a couple of modes of play. You either have to find and
eliminate all of your enemies in the stage or there is a defend the
tower variant as well. A few more modes / objectives (perhaps
capture-the-flag-like, or something involving resources and
construction) would have added more to the actual gameplay and sense
of progression. Instead the initially entertaining gameplay gives way
to a good deal of repetition after a couple of hours.
There are different weapons that can be earned throughout the game,
and while there is a solid visual variety. I would have liked to have
seen more, or some sort of an experience / upgrade system to provide
a slightly better carrot to dangle as part of the progression to stay
engaged. One-handed, two-handed, shields, sword, mace - there are
some option here. In the end though, the actual weapons seldom felt
all that different from one another when in use, and it came away
feeling more cosmetic than impactful.
There is a multiplayer component that lets you work with others in
the arena. I don’t tend to lean into multiplayer a lot, but even so
struggled to find others to play with during my time with the game.
They are out there, and mechanically speaking it is all fine with
voice chat that allows you to communicate effectively while you hack
your way through the enemy legions.
Lastly, the presentation is solid if unspectacular. Music and sound
effects are generally fitting, if not overly memorable. Visually the
different weapons and enemies are well represented, but the
environments are someone lacking. I suppose that should be expected
given the nature of the arena setting, and I suppose this gets back
to the beginning where I thought the development team did a pretty
good job setting the stage with its initial scenes, but gave me
little else in terms of variety for both the story and the visuals.
Summary
Swords of Gargantua is one of those games that feels like a missed
opportunity. There is some solid potential to have an interesting
story, but the narrative bits never really develop. I am a pretty
easy sell on the idea of a VR melee combat game, and to its credit
Swords of Gargantua handles pretty well the majority of the time, but
there just is not much reason to continue playing after awhile.
Progression is shallow and the gameplay really never develops in a
meaningful way.
Swords of Gargantua is a perfectly adequate game without a lot of
incentive to keep coming back for more. It's a perfectly average VR
experience, but I had hoped for a bit more.
Suzerain is a political strategy game that reminded me of the old
Amiga game called 'Conflict: The Middle East Political Simulator'.
Both games focus on the decisions you make and the strategies you
employ. Suzerain has a lot of merits for a political simulation game
that players would expect out of this genre. Though this isn't
typically a style of game I enjoy, I found Suzerain to be rather
engaging and interesting, although exhausting.
Gameplay
in Suzerain
The first thing to note about Suzerain is that it is a choose your
own adventure game. Every decision you make as President Rayne shapes
your term. This game will hold your hand as you navigate meetings
with Ministers, assess relations with neighboring countries, or
interact with family. That said, it is a fully fleshed out and dense
world. Most people will draw parallels to our current political
structures since there are many issues that perpetuate over time. It
just goes to show that political concerns in the 1950s do not differ
from today.
Players go through a prologue which gives players a backstory. The
choices made during the prologue are sometimes referred to at later
points in the game. For example, one of Rayne's Ministers was a
former teacher of yours. Another Minister served with you under the
Red Youth organization. That said, your initial ideas about countries
or people will change. So, what you promised at the beginning might
not hold true as you learn more about Sordland. These details bring
players into the world of waring cities, economic crisis, and legal
challenges.
I enjoyed the fact that Suzerain provides a codex of information. I
spent a lot of time reading on all the cities and people, trying to
decide what would be good for the country. After making key decisions
and reading updates on various situations, the game will save and
create an entry in the journal.
Most of the gameplay relies on taking notes and going through
dialogue. Players can accept or deny new policies and even take
bribes! There are plenty of decisions to make about the sort of
Presidency you will have.
Suzerain is truly a cerebral experience that kept me interested, even
though I am not well versed in the subject of politics.
Graphics
and UI
There are subtle graphical additions to the game that really help
players shape the country of Sordland. For one thing, the game
doesn't consist of white popup boxes with tiresome walls of text.
Suzerain's textboxes are interesting and dynamic. When one of the
characters speaks, their portrait moves to the top of the box. One
nice detail of the text boxes is when players click on a characters'
image, the codex will open with information.
On top of the small details, there are plenty of graphs and boxes of
information boxes players can consult. On the right-hand side of the
screen are two crucial tabs. The first is the codex which players can
see all of the information surround Sordland and its players. The
second is the journal which tracks players' decisions.
There are several details that I enjoy like the ability to see
Sordland's map or the financial bar. Another nice addition is the
news tab located at the top center of the screen. There are six
different newspapers that range from far leftists to the far right.
But no news outlet would be complete without a paper like the Radical
which reminds me of our tabloid spinners.
Pros
and Cons
Pros:
Very detailed world surrounding Sordland, drawing players into the
story at the outset.
Believable
characters that have their own personality and adds to the game's
realism.
Suzerain comes
with a wealth of information about President Rayne's country
Sordland which is easily accessible.
There is no
timer on dialogue decisions or policy enactments which allows
players to consult their notes.
Thought-provoking
title that made me consider the well being of others.
Cons:
Players don't always know when the autosave occurs. On one computer,
I had progressed turns but my at-home computer didn't save the
progress! I would like the ability to manually save.
The textbox
size cannot change.
Suzerain gets
heavy very quickly, making the game exhausting to play for extended
periods of time.
There doesn't
seem to be many opportunities to regain money spent.
Citizen
taxation isn't an option in Suzerain which feels wrong in this type
of game. Most games in this genre allow ways to adjust taxation in
order to keep an economy going.
Final
Thoughts
Suzerain is a political simulator that I actually enjoy, which is a
rarity. I tend to put politics at the back of my mind. This game held
my interest even though it parallels Turkey (see the Trivia section
in the Suzerain's
Wiki page). Even though I list a few negative points,
none of them change my positive impressions.
I'm glad I grabbed this title on a whim because I really enjoyed
playing this turn-based political game - words I never thought I
would type. Suzerain hooks players fairly early on with a complicated
and intriguing. While I don't feel like I make a huge impact overall,
Suzerain has a few different endings.
Suzerain is a fantastic political simulator that illustrates the
complexity of ruling a country. It is a very clean game with plenty
of intrigue to keep players interested, just like in real-world
politics. I had a great time playing a President and learning about
Sordland. Despite my issues with the auto-saving not registering, I
give Suzerain an 8 out of 10. Don't let this title fool you into
thinking it's easy to reform ideas or preventing civil war. So, don't
sleep on Suzerain because the country of Sordland needs you!
Message from the author: This article was originally published
on my website www.player1enter.com, all the way back in 2012. When my
website went under the next year, I started migrating all my reviews
+ articles to Chalgyr's Game Room (who have been very kind and
accommodating). This is the first of two very long articles I wrote
back in the day. Enjoy!
Estimated reading time: 17 minutes
Bonjour!
French maestros, Delphine Software International had a brief
but memorable run in the video game industry. Their chance of making
an impression was a short one; but it ran deep.
Active chiefly in the 90’s, several of their games have been the
focus of groundbreaking and innovative moments in video games.
Indeed, so groundbreaking that one of their games, Another World,
popularized a sub-genre that’s stylish in execution and agony
to master.
In their short foray into developing under the Delphine Software
International (DSI) banner, the crew behind one of the greatest
developers worked tirelessly, passionately, and most importantly,
with this intention and philosophy that art and games need not be two
separate things.
Games like Flashback, Another World, Fade to Black, and Future
Wars all corroborate this, and should a whisper of a doubt form
in your head, you need only play few minutes of their masterpieces
(which are easily accessible in almost every platform available) to
erase it.
Delphine Software International - Zeus Mascot
The company was founded in 1988 as a subsidiary of Delphine Group,
in Paris, France, by Paul de Senneville (who acted
as the head director) and the unsung gaming hero, Paul Cuisset
(who, in addition to being the co-director, would also be the
lead designer for several of their games).
The name refers to the town of Delphi in Greece, the
residing place of the Oracle Pythia. She is considered to be
the most important Oracle in Greek mythology. The town also
holds an importance of equal value. A myth goes that Zeus,
wanting to find the center of earth (or Gaia), sent two eagles
from the opposite extremities; one from the west, the other from the
east. When they met over the town of Delphi, the omphalos,
or navel, of Gaia was found.
The only surviving image of the Delphic
Pythia Aegeus the mythical king of Athens
In 1989, just a year after formation, DSI released their first
video game: Castle Warrior – a sort of Zork imagined
as an Ultima Underworld in a third-person view
dungeon-crawler. Thought up by Michael Sportouch and given
life by Emmanuel le Coz, Castle Warrior never made it to the
spotlight; instead staying in the darkest corner of shadows, only
stumbled upon by the ever-curious. The game is notable in the fact
that it was one of the first video games that composer Jean
Baudlot (a recurring name in the timeline of DSI) worked
on.
Having a unique control system – the character moved vertically
automatically – your aim is to kill the enemies that appear
on-screen.
Needless to say, Castle Warrior flew under the radar.
Their next game, Bio Challenge (a side-scrolling beat ‘em
up), too, never achieved the spotlight status, though it did
give a glimpse of what the company would ultimately utilize and be
well known for. However, despite not reaching the masses initially,
it is held as one of Amiga’s best games by fans of the
system.
Bio Challenge has a bizarre enough plot and some mean
character animation, plus decent parallax scrolling and a night/day
cycle shift. Also, Jean Baudlot returns, this time with a
catchy tune that is bound to find its way in your playlist.
But DSI’s first true success would not come later in the
same year when they hired Eric Chahi - a relatively unknown
person at the time - to work on their next game, Future Wars.
Future Wars proved to be a great hit for the company, who were
(then) recently suffering from the disappointing James Bond spin-off
Operation Stealth. The striking production and a
time-traveling story made Future Wars a success, and is
nowadays thought of as one of the greatest point-and-click adventure
games.
But yet worldwide success eluded them; and it was not until the 90s
came about that Delphine Software International’s presence
was noticed on the map. Starting in 1990-91, the release of Another
World – a.k.a Outer World and Out of This World –
marked the start of their brief, but successful and influential,
run.
But before all that, a brief detour regarding the sub-genre known as
cinematic platformer, a technique called rotoscoping
animation, and a man named Jordan Mechner.
Éric Chahi
In 1989, the sub-genre, the technique and the man were all printed
out in bold on the gaming map via the release of the
uber-influential Prince of Persia. Set in ancient Persia, the
eponymous Prince must brave danger, jump perilous, often-fatal, gaps,
avoid spikes, open doors, do swordplay with guards, and save the
damsel in distress. Though the story may not have been original, the
inclusion of the rotoscoping animation technique in the world of
video gaming certainly was.
What Mechner did was tell his brother to wear white clothes
and then jump off a box - while Mechner traced his movements
and implemented them into the game. This gave the game a smooth,
fluidm realistic effect. Where Mario moved in blocky,
stuttering steps, the Prince ran, jumped, walked and fought with
relative realism. The release of Prince of Persia brought
video games to new, unconquered heights and sent a clear message
across the world that Jordan Mechner was here to stay.
Though he had already struck gold by his first game, Karateka, a
1984 beat ‘em up title that served as a predecessor of all that was
to be expected from Jordan Mechner, it was by his 1997
time-period adventure title, The Last Express, and the 2003
reboot of his original game, Prince of Persia: the Sands of Time -
which would quickly culminate into one of the best-selling and
persistent franchises of all time - that he became a permanent
household name. It even spawned a movie starring Jake Gyllenhaal,
albeit not a great one.
Prince of Persia was groundbreaking and influential on many
levels. It spawned a new sub-genre in the platform genre called
cinematic-platformer. They are usually distinguished by their
over-use of trial-and-error, one-touch death, vulnerable characters,
realistic movements, a great amount of climbing and running, and
(usually) step-based controls. These features and more - such as
beautiful, often exotic landscapes, static-screens, and violent
action - give a raw edge and a distinct feel to the games that fall
under it.
Prince of Persia is perhaps the most iconic and well-known
example. But more so, and sometimes the more-cited, is Another
World.
Jordan Mechner
Having being impressed by the smooth animation style adopted by
Dragon Lair, Eric Chahi, with the blessing of Paul Cuisset,
set about to making a new game that would bear the mark visibly
of everything that influenced him.
With the levels being a visual presentation of the current mood Chahi
was going through (the opening and ending level are metaphors for
the loneliness and the exhaustiveness the creator felt,
respectively), and a minimalistic, rhythmic, poetic approach to the
narrative, Another World is as beautiful and haunting as it is
agonizing and grueling in difficulty. Very early in the game the
point is clear that Another World is a hard game that’s
unforgiving in nature.
It was one of the very earliest games to have captured the aggressive
and bleak, yet hypnotic and mesmerizing, atmosphere and tone of an
alien world perfectly. The composer this time around was
Jean-François Freitas. His memorably addictive and
wonderfully ambient score is both a testament and contributing factor
to the game’s lasting appeal; especially the piece that’s heard
in the ending. That’s class. With the release of this game, Eric
Chahi made superstars out of DSI.
Unfortunately, he did not stick around. He quit sometime after the
release of Another World and founded his own company, Amazing
Studio; which only managed to release one game, Heart of
Darkness - a cinematic-platformer in the same vein as Another
World, albeit with a more graphic presentation and deep emphasis
on disturbing, unexpected deaths.
It took Amazing Studio six long years to develop the game, and
was finally released in the year 1998. Over the period of time, Heart
of Darkness achieved a rightly deserved cult status and is now
heralded among the best games in the Playstation 1 library.
Run Lester, run!
Hi, I'm Juni
Cortez!
Heart of Darkness
Heart of Darkness, too
Chahi’s departure, however, did not signal the end of the
world for DSI. In fact, they were just warming up.
1991 saw the release of Cruise for a Corpse; a game this
author believes to have one of the coolest titles in video game
history. Helmed by Philippe Chastel, Benoist Aron, and Paul
Cuisset himself, this point-and-click adventure game put you in
the shoes of Raoul Dusentier, who is invited to Niklos
Karaboudjan’s boat for some quality time.
However soon upon arrival, Niklos is murdered, and it is up to
you to don the detective hat and solve a well-written “whodunit”!
Drawing inspiration from retro murder novels, especially those of
Agatha Christie, this game is a treat for lovers of intriguing
story with death as the main backdrop.
Exactly one year after Cruise for a Corpse came a title that
would, over time,become synonymous with the company - almost
gaining the title of an unofficial mascot.
That game is Flashback: the Quest for Identity, or just
Flashback for short.
Just the mere mention of this game will set in motion a
chain-reaction of memories and musings associated with the game;
primarily among those who played it on the original systems back in
the day. The resemblance between this game and Prince of Persia
does not go beyond the fluidity in the animations. Though
Flashback indeed utilizes the rotoscoping technique, it
employs a more complicated version of it; thus resulting in a game
far superior than its influence, in terms of animation, story,
characters and just about everything.
Upon its release it was hailed by Guinness World Book of Records
as the best-selling French video game of all time.
Flashback is set in a sci-fi futuristic world which sees you
in the control of Conrad B. Hart. You are an agent of the
Galaxy Bureau of Investigation. After stumbling upon a plot to
destroy earth by using shape-shifting aliens who have disguised
themselves as government officials, you are kidnapped and have your
memory erased. But because Conrad is actually a smart dude,
he made a backup copy of his memory and had it stored. Hence he’s
able to get back everything that’s rightfully his. Now he must deal
with the rogue aliens and set everything right.
All of the major tropes of this infant-genre had established
are present, no expense spared. Every individual frame holds
terrible, yet seductive secrets; danger is just around (or below) the
corner; objects are liable to give way any moment; and the deaths are
swift. Released in 1992 to a wide range of systems, it is perhaps the
Amiga original, Sega Genesis port and the DOS version that is fondly
remembered by gamers today. Though nothing beats the original, the
other two versions are respectable in their own right. The DOS
version has more cut-scenes than the other two, and this author sees
it fit to recommend newbies out there to have their first outing with
this version.
Flashback has many features that were previously unseen. Your
character, Conrad, can take cover and even duck. Guess what,
the enemies can, too - a good strategic angle for the more
methodological player. This adds a whole new level of realism to an
already realistic style of playing. Also unlike others, Flashback
also has a HUD (heads up display) and a point-and-click adventure
style option-tray at the bottom of the screen.
A fitting placement seeing DSI’s past repertoire.
Flashback’s excellent surpassing of the boundaries proved to
be the pinnacle of DSI’s – and Paul Cuisset’s –
career.
Author note: The beeping sound you hear when you collect an
item is easily one of the most iconic and satisfying sound effects in
history.
Danger, Will Robinson!
Smooth cut-scenes and
animations
The
byzantine New Washington
Beautiful... and deadly
Lamentably, Flashback proved to be both a blessing and a
curse.
Its appeal and maturity did indeed bring DSI on the map,
marketing them as the go-to company for great games; but
simultaneously prevented them from making another Another World or
Flashback-level classic again. Disaster stuck, and millions of
hearts were broken when DSI chose to combine the technique
they had perfected… with a basketball player.
This marriage of two unlikely forces culminated in the ill-fated Shaq
Fu - the single worst titled video game in the industry's
history.
An egotistical embarrassment, Shaq Fu caused the downfall of
an empire that never recovered - though a coruscant did come in the
form of Fade to Black (more of that later). Featuring
Shaquille O’Neal as the, er, titular character and, er,
hero, you’re thrown into a portal that’s a gateway to magical
worlds. Once there, you must fight other characters for glory in a
typical fashion of vs. fighting games.
Released for the Sega Genesis, it was instantly and universally
panned, ending up in several worst games of all time lists. Even
despite the fact Shaq Fu employs the same animation style as
that of Flashback (as well as the same frame-rate), and
identical hand-drawn backgrounds (albeit now with scrolling screens),
its unresponsive controls, glitches, nonsensical setup, and
difficulty due to poor programming all contributed to the failure of
the game and made it an epic for all the wrong reasons.
Even with a failure in their hands, DSI displayed a sense of
equanimity, and this showed perfectly in their 1995 release, Fade
to Black - possibly the final hurrah for the company.
With the bulk of the production done by Paul Cuisset, this
sequel to Flashback, though could not emulate the worldwide
appeal of its predecessor, emitted a ray of hope that that the
company still had life in them. In the making of Fade to Black,
the company eschewed everything they had thus far practiced and
what made their previous games unique from their contemporaries.
Unlike its predecessor, Fade to Black utilizes gouraud shading
in full 3D. Even so, for a computer game, Fade to Black isn’t
on the whole pretty... but it gets the job done.
Furthermore, the use of 3D breathed new life into the game and gives
a sense of freedom and open-world; a feeling that of being trapped
in/by something much bigger (both philosophically and figuratively)
than yourself. With just over an hour of gameplay, Fade to Black
is surprisingly short - but it makes up for that by the
unprecedented freedom exercised in the game. In this author’s
opinion, Fade to Black is slightly better at gameplay than its
predecessor.
Get down… and boogie
“I
said freeze!”
Fade to Black
Get outta the way, B9!
By now releasing one game per year (or two) had become a thing of
second nature for the crew of DSI. Considering the vast
technical and graphical aspects of their games and the size of the
company, this was indeed an accomplishment. In 1997 their release of
Moto Racer would not only take them out of their element, but
also result in the only proper series they managed to string together
before going defunct.
Moto Racer is an arcade-type motorcycle racing game that
features both street and dirt bikes, and is great for casual gamers
and/or fans of the racing genre.
This Electronic Arts published title was able to generate
enough enthusiasm for four sequels, all developed by DSI. Starting
in 1998 and ending in 2002, the sequels are as follows: the cleverly
named Moto Racer 2, Moto Racer World Tour, Moto Racer 3, and
finally Moto Racer Advance (developed in conjunction with
Adeline Software; a subsidiary of DSI, given birth in
1993).
This author believes the latter to be one of the best games available
on the Game Boy Advance - for its smooth graphics, uncomplicated
gameplay, realistic bikes and sounds, and the overall superb
presentation.
The 90’s, especially in its middle and tail-end years, saw a boom
in RPG (role-playing game) and RTS (real-time strategy)
video games - fueled and spearheaded by the likes of Diablo,
StarCraft, WarCraft, and the Final Fantasy series.
Drawing inspiration from the original Diablo, DSI decided to
jump on the RPG bandwagon and crack their hands at this new
money-maker. The result was the silently-ignored but enamored by
fans, Darkstone;
their most ambitious, intricate, and longest game ever.
A typical RPG experience, Darkstone employs all the major and
recurring tropes of the genre. Gems, magic, portions, spells, strange
sounding characters, towering presence of evil, fatal encounters,
swordplay, mana, powerful stones - yup, they're all present.
This author would like to bring into notice to the reader that he
hasn’t played Darkstone yet and says that he cannot comment
more on the game. But from the videos he has seen of the game, he
does deduce Darkstone to be a potentially satisfying, engaging
title.
90mm
With several great games under their belt, Delphine Software
International boldly stepped into the 21st Century… only to
find it very unkind to them.
With a total of only three games released (Moto Racer World Tour,
Moto Racer 3 & Moto Racer Advance), the company
relocated to Saint-Ouen in 2001. In the next year, they were
removed from the Delphine Group. In the year after that, DSI
was sold to Doki Denki. In the year after, they closed on
accounts of bankruptcy and liquidation (a process in which a company,
or part of it, is brought to an end and the assets redistributed).
Around the same time their official website also closed down; if you
attempt to open it, you will be redirected to a blank page. However,
unofficial and fan-made websites do exist, and they are testament of
their adoration of the company.
Though Delphine Software International may not be around
anymore, through nostalgic tributes and memorabilia - and ubiquitous
classics such as Another World, Cruise for a Corpse, Fade to
Black, and Flashback - their spirit lives on.
Au revoir!
Paul Cuisset – …the legend!
Feature article written by Hamza and re-published with permission for Chalgyr's Game Room.
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